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Trumpet Celebrity Interviews
[ a celebration of the artistry of ALL styles of Trumpet ]
E R N I E H A M M E S
Ernie HAMMES is a very creative jazz-musician and a superb classical soloist. He is a rare talent.
Lew SOLOFF, January 2000
Ernie is a first rate trumpet player who covers an awful lot of ground with his playing and writing. Working with him was always a rewarding and highly musical experience. Keep your eyes on this musician.
Bob MINTZER, March 2002
Ernie is one of the young musicians of today's scene that are very unique because of their versatility. He has great ideas for his jazz playing and on top of that he is a wonderful classical soloist. I truly love having Ernie in my band and believe that he will have a great career on his own.
Maynard FERGUSON, May 2002
T H E I N T E R V I E W . . .
Would you like to add your web address /email at this point?
yes.
www.erniehammes.com
and email....
mailto:ehammes@pt.lu
Was your family background musical?
no, not at all. My father played the guitar a little bit but that was it.
What made you decide to play trumpet?
I guess, when I was young, I saw too many trumpet players on tv and that kept me with that instrument. I was always fascinated by that shiny, golden instrument. Altough nowadays my trumpet isn't shiny anymore. (I play on a Dave monette trumpet)
At what age did you start?
I started with the trumpet and all the theory classes at the age of nine.
On leaving your education, have you always been a full time musician?
Actually yes. Right after my studies at the age of 17, I had the opportunity to join the Luxembourg Army Concert Band as the principal trumpet.
Describe your early experiences of semi / pro work please.
Well, like everybody, I guess, I played some minor local gigs including weddings or some concerts with local ensembles like amateur concert bands, or brass bands.
Who were your teachers?
My first teacher when I started was an American trumpeter that plays in the Luxembourg Philharmonic Orchestra. Unfortunately the guy only spoke french and english at the time so I didn't understand too much what he told me about the trumpet. So after a year my parents and me moved to a different place so that I had to change the teacher. From then on, I stayed with my new teacher, Joel SAND, until the end of my studies in Luxembourg. Then I went to the conservatory of Nancy (F), where the teacher was Dino TOMBA and finally to the conservatory of Metz (F) where I studied with Mr. MARTINOT.
That's it for my classical studies. For the jazz, I took my first steps at the age of 17 with Ack VAN ROOYEN in the Netherlands before I went to the Manhattan School of Music in New York City to study with Lew SOLOFF, a trumpet player I always admired because of his versatility. Besides that, I took some private lessons over the years with Jon FADDIS and Claudio RODITI.
What Orchestral experience have you had?
I subbed in the Luxembourg Philharmonic Orchestra, the Orchestre Symphonique de Nancy (France) on a regular basis. I joined the Luxembourg Army Concert Band in 1987 and still play the principal trumpet there today. (with some interruptions either for studying or for touring purposes). For my classical CD, I used a chamber orchestra from Kosice. For one occasion, I performed the Brandenburg concerto Nr.2 with a chamber orchestra from Riga, Lituania. In the summer of 2002, I played the lead trumpet with the Lux. Phil. Orch. together with the rock band "SCORPIONS" for an outdoor festival concert attended by more than 15.000 people. Quite amazing experience there!
What session (Jingles / TV) experience have you had?
Favourite two movies?
Star Wars, Leathal Weapon...
Favourite three foods?
horse steak with garlic sauce, any salads and...hot dogs...a reminder from being on the road!
Non-musical hobbies / points of interest you enjoy?
scuba diving, squash, cycling, cooking, cuban cigars and a good wine!
Do you take days off from playing? (How does it affect you?)
After playing too much, after a tour or some tough gigs, I'm trying to take one or two days off. But that's about the most I can take because I don't feel secure anymore after more than a couple of days of not playing...for the stuff I wanna hear!
Any chop problems / solutions you've personally had you can share?
Well, as most trumpet players, I went through a lot of mouthpiece changes. Especially when I was younger I used very small mouthpieces because I thought I couldn't play high notes on a large mouthpiece. But , I finally found some mouthpieces that fit perfectly. Nowadays, I'm playing on a medium shaped piece for all my jazz and big band playing, and still a pretty big piece for my classical performances. You always have to adapt your equipment for the kind of jobs you are playing or trying to get. Everybody is different, so do not make the mistake to play such and such mouthpiece because a well known trumpeter is playing it!!!
Thank you and keep on blowing! -- Ernie Hammes.
Thank you very much indeed for sharing your thoughts with the
' Trumpet Web Community '17th April 2003.